01 / 04Start with structure
Roles and names already know where to go.
Typed blocks keep the edit, preview and final render on the same geometry.
/ End credits, simplified
End credits.
Minus the busywork.
Import the list. Shape the blocks. Export a master. A focused path from the source spreadsheet to review and delivery.
/ 01 · Bring the list
Your spreadsheet is the starting point.
Not the interface.
Upload Excel or CSV, or import a public Google Sheet shared by link. Edit Credits proposes source-backed blocks you can review and change by hand.
FINAL_CREDITS_V12.XLSX
8 sheets · 426 rows · updated 2m agoPARSE
ROLE / NAME124 credits
NAME GROUP38 names
MUSIC / MEDIA7 tracks
LOGOS5 placements
CREW
Directed byAlex Morgan
Written byMaya Bennett
Produced byElena Foster
CinematographyDaniel Brooks
Production DesignOlivia Reed
Edited byPaul Reed
CastingAnna Fields
Music byEli Damon
Line ProducerSophia Bennett
VFX SupervisorRoman Wolfe
Sound DesignerSergey Markov
ColoristNina Brooks
01 / 04Start with structure
Roles and names already know where to go.
Typed blocks keep the edit, preview and final render on the same geometry.
/ 02 · Shape every block
Scroll once.
Build the whole roll.
02 / 04Shape the roll
One column becomes two. Then three.
Reflow a long credit list without rebuilding it. The roll remains readable and balanced.
03 / 04Choose the voice
Change the type, not the content.
Switch the typographic system and aspect ratio while every credit stays attached to its role.
04 / 04Break the grid
Music, legal and freeform belong in the same timeline.
Use purpose-built blocks when a simple role and name pair is not enough.
/ Motion, on your terms
A roll does not have to move in a straight line.
Add keyframes, holds and smooth acceleration without leaving the shared Preview/export path.
LINEARSMOOTHHOLD
[ ROLL PREVIEW ]MOVING
CREW
Directed byAlex Morgan
Written byMaya Bennett
Produced byElena Foster
CinematographyDaniel Brooks
Production DesignOlivia Reed
Edited byPaul Reed
CastingAnna Fields
Music byEli Damon
Line ProducerSophia Bennett
VFX SupervisorRoman Wolfe
WITH SUPPORT FROM
Sound DesignerSergey Markov
ColoristNina Brooks
Camera OperatorDavid King
Script SupervisorMila Hart
First Assistant DirectorNoah Gray
Second Assistant DirectorVictor Stone
Key GripRoman Wolfe
GafferAndrew Cole
Costume SupervisorEmma West
Makeup DesignerMila Hart
Dialogue EditorNina Brooks
Foley ArtistPaul Reed
Post-production SupervisorOlivia Reed
Finishing ProducerAnna Fields
00:00:12:0000:00:42:00
ROLL MOTION CURVESCROLL = PLAYHEAD
ROLLING
START OFF-SCREENHOLD 2.4sEND OFF-SCREEN
↓ Scroll to scrub the shared motion model
/ 03 · Give every mark its space
One logo or eight.
Still one block.
Build a balanced partner card, reorder the marks and keep every logo sharp at output resolution.
Give the lead logo room.
The block changes its rhythm without adding containers, while every mark remains independently editable.
Recompose for 2, automatically.
The block changes its rhythm without adding containers, while every mark remains independently editable.
Recompose for 3, automatically.
The block changes its rhythm without adding containers, while every mark remains independently editable.
Recompose for 6, automatically.
The block changes its rhythm without adding containers, while every mark remains independently editable.
Recompose for 8, automatically.
The block changes its rhythm without adding containers, while every mark remains independently editable.
[ LOGO CARD ]CARD 12 / 1400:08:42:12
01 / 05A single hero mark
Give the lead logo room.
WITH SUPPORT FROM
PRODUCTION PARTNERS
KITESTUDIOS
FRAME 24RENTAL
/ 04 · Finish where post starts
Preview and export
from the same timeline.
Preview and export use the same project timeline and layout model. Choose the delivery format and let the server handle the frames.
H.264ProResPDFPNG sequence
EDIT_CREDITS / EXPORTREADY
> checking 14 cards
> 0 blockers · 0 warnings
> ProRes 422 HQ · 2048×858 · 25 fps
MASTER_V01.MOVEstimated render · 06:40
/ Practical answers
Before you build the roll.
Short answers about importing, editing and exporting film and television end credits.
Read the spreadsheet guideCan I import end credits from Excel or Google Sheets?
Yes. Edit Credits accepts XLSX, XLS, CSV and TSV files, plus public Google Sheets shared by link. Import analysis uses the full sheet structure to propose editable credit blocks.
Do I need to use a credits template?
No rigid template is required. Keeping roles near names, department headings intact and production notes in a separate column gives the importer clearer evidence.
What happens when a spreadsheet row is ambiguous?
The importer keeps source-backed content editable and flags genuine ambiguity for review instead of silently discarding the cell. You can correct the proposed structure before export.
Can I make static title cards and rolling credits?
Yes. A project can use static cards, rolling credits or a mixed timeline, with purpose-built blocks for roles and names, groups, music, legal text, freeform layouts and logos.
Can one role contain several editable names?
Yes. Several people can share one role while each name remains independently editable, reorderable and available to the layout system.
Which export formats are supported?
Edit Credits exports H.264 MP4, ProRes 422 HQ, ProRes 4444 with optional transparency, PDF approval cards and PNG sequences.
Do I need an account?
You can open and try the editor without registration. A verified sign-in is required to persist saved projects and their version history.
Your credits are already waiting.
No registration to try it. Imported credits remain editable as the project takes shape.
Create your credits